Archive for Opportunities

Expanding Our Space, Expanding Our Reach. You Can Help!

As we announced just before New Year’s, we have been offered a wonderful opportunity: our own space for large-scale enameling in a new facility that KVO Industries has acquired in Santa Rosa, CA. This space, which we are calling the Annex, is the first dedicated artist-use large-scale enameling space in the U.S., and will be an incredible resource for the Center. We hope you will be a part of this new exciting new phase, and will help contribute to our efforts if you are able!

Enameled steel sign at KVO Industries. Together, we can make it happen!

Our plans for the Annex are ambitious. The space will provide a place to create large-scale enameled steel art, including public and private commissions. Artisans will be able to design and produce enameled steel products. The Annex will also be a place to explore new applications and techniques for enameling steel. We will be able to offer groundbreaking classes, host visiting artists and eventually, provide ongoing residency programs. Although KVO’s large (8′ x 5′) hanging belt furnace is particularly suited for two-dimensional work, the Center is encouraging all who are interested in working three-dimensionally in enameled steel to come to the factory to work.

We are delighted that the Annex will be inaugurated with a workshop from master enamelist, John Killmaster, from July 6th to July 9th. Killmaster, at age 83, has experienced a resurgence in his career. A younger audience, which has recently embraced the use of liquid enamels, is now flocking to his work and his teaching.

We will offer regularly scheduled, facilitated weekend workdays at the Annex. In addition, our plans include workshops, factory tours and workdays for schools, and three- to five-day residencies for those working on projects or commissions. To find out more about the 2018 KVO program schedule, please contact the Center.

We believe that a space like this, created in a close partnership with an artist-friendly industrial facility like KVO, is essential to the future of enameling. It will allow us to share the possibilities of industrial enameling with more artists, and to bring new techniques, and more and larger work, into public view.
As we work to bring our plans to life, we will share our progress with you here on our blog and on Facebook. Along the way, we will ask for your help as we develop our large-scale enameling program and related educational programming. Even though KVO has been extremely generous is making this space possible, there is a cost.  Our monthly lease payment is small for what it includes, but our programming cannot pay for all of the expenses associated with the space.
Please consider a contribution towards these goals.
  • $50 can purchase tools and equipment.
  • $100 can fund scholarships for classes and workshops.
  • $250 can fund promotion for outreach to all artists
  • $500 or more can create a residency program for artists wanting to work inside an enamel factory.
  • If you would contribute to the space by naming it, please contact the Center for more information about naming rights.

CLICK HERE TO DONATE NOW. It’s simple and easy, and makes a huge difference to our work!

As a member of the enameling community, you know how rare and valuable an opportunity this is. We are grateful for your involvement and support. Together, we can create an exciting future for enameling!

Looking Back to Look Forward

by Evelyn Markasky

Version 2

Detail of Fred Ball piece from the exhibition Little Dreams in Glass and Metal

The Center for Enamel Art is not just a place to take workshops. It also provides opportunities to experience enameling in new and and even life-altering ways. For me, the Center’s bus tour of Fred Ball’s work in Sacramento was this kind of opportunity.

Led by Susan Willoughby, art advisor, long-time leader in the Sacramento art community, and the executor of Ball’s estate, the tour was very well-organized and planned. (Added bonus: We didn’t have to think about driving or parking!) We were taken to some of Ball’s most spectacular public works, Read More →

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Helen Elliot critique

Helen Elliott critiquing student work in a Radical Enameling workshop, “Enameled Steel for Large Scale Art: Working in an Industrial Setting”

We want to expand the critical conversation about enameling among enamelists, other artists, collectors, art historians, and the general public. Our goal is to support the growth of enameling as an art practice and help establish it as a respected art form.

We need your help.

We know that our readers are talented, experienced, and opinionated, and we would love to help you reach a broader audience. We are looking for critical contributions on a variety of topics, including Read More →